
[OFF-SCREEN WITH OSTREM] Why I think “Cure” is a cinematic masterpiece
Peter Ostrem, The Rubicon
• March 5, 2025

2025 Oscars: the victorious and the defeated
Peter Ostrem, The Rubicon
• March 4, 2025

[OFF-SCREEN WITH OSTREM] “The Brutalist”: a brutally honest American commentary
Peter Ostrem, The Rubicon
• February 7, 2025

[OFF-SCREEN WITH OSTREM] Modern Blockbusters suck, at everything
Peter Ostrem, The Rubicon
• January 9, 2025

[OFF-SCREEN WITH OSTREM] The good and not-so-good of recent cinema
Peter Ostrem, The Rubicon
• December 17, 2024

[OFF-SCREEN WITH OSTREM] “Terrifier 3:” shocking gore and shockingly bad filmmaking
Peter Ostrem, The Rubicon
• November 7, 2024

[OFF-SCREEN WITH OSTREM] Halloween (1978): The Horror Standard
Peter Ostrem, The Rubicon
• October 26, 2024

[STORY BEHIND THE STORY] The Off-screen experience of “Off-Screen With Ostrem”
Amanda Hsu, The Rubicon
• October 22, 2024

[OFF-SCREEN WITH OSTREM] Good Will Hunting tells an intimate story of growth and connection
Peter Ostrem, The Rubicon
• September 30, 2024

[OFF-SCREEN WITH OSTREM] Minneapolis-Saint Paul International Film Festival highlights new filmmakers
Peter Ostrem, The Rubicon
• April 22, 2024
Load More Stories
April 24, 2025
Mariam Malik, Social Media ManagerApril 24, 2025
Lina Abid, The RubiconApril 24, 2025
Ivy Evans, The RubiconApril 24, 2025
Huxley Westemeier, ColumnistApril 24, 2025
Zimo Xie, Creative Design ManagerApril 24, 2025
Lucy Thomas and Nora McKoyApril 24, 2025
Carys Hsiung, The RubiconApril 24, 2025
Sonia Kharbanda, The RubiconApril 23, 2025
Juan Miguel Adams and Sonia KharbandaApril 23, 2025
Nabeeha Qadri, Rubiconline