[OFF-SCREEN WITH OSTREM] “Terrifier 3:” shocking gore and shockingly bad filmmaking
Peter Ostrem, The Rubicon
• November 7, 2024
[THEATER REVIEW] Devils offers a veracious exploration of villiany
Grace Medrano, The Rubicon
• October 31, 2024
[APP REVIEW] Stop scrolling; Finch makes self-care fun, easy and cute
Thomas Chen, Beats Manager
• October 27, 2024
[OFF-SCREEN WITH OSTREM] Halloween (1978): The Horror Standard
Peter Ostrem, The Rubicon
• October 26, 2024
“Black on Both Sides” remains the pinnacle of hip-hop
Yassin Mokbel, RubicOnline
• October 24, 2024
[ALBUM REVIEW] Two decades later, bôa’s still got it on Whiplash
Elizabeth Tuttle, RubicOnline
• October 21, 2024
[MOVIE REVIEW] The Joker’s jokes breed boredom in the sequel rather than chaos
Peter Lipinsky, RubicOnline
• October 12, 2024
[OFF-SCREEN WITH OSTREM] Good Will Hunting tells an intimate story of growth and connection
Peter Ostrem, The Rubicon
• September 30, 2024
[BOOK REVIEW] Van Pelts fantastical “Remarkably Bright Creatures” teaches important lessons
Nabeeha Qadri, RubicOnline
• September 14, 2024
[MOVIE REVIEW] Madame Web spins a mediocre tale
Nabeeha Qadri, RubicOnline
• May 24, 2024
[OFF-SCREEN WITH OSTREM] Minneapolis-Saint Paul International Film Festival highlights new filmmakers
Peter Ostrem, The Rubicon
• April 22, 2024
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